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Editor Jeffrey Sconce's Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics collects together current thinking on lowbrow or 'trash' cinema from a selection of noted academics in the f...
Robert Altman's Nashville (1975) has long been recognized as a masterpiece in its treatment of the spectacularization of American culture through an ostensible examination of the country music industr...
The 2000s have been a decade of fantasy media. Two fantasy film series begun in 2001, The Lord of the Rings and Harry Potter, have now combined to produce eight of the twenty highest-grossing films of...
One of the most profound ideas in Martin Heidegger’s Being and Time is the implicit link that he forges there between our relationship to time and our relationship to ideology. We tend to think of i...
In one of the most memorable scenes of Lars von Trier’s Dogville (2003), the ‘beautiful fugitive’ Grace (Nicole Kidman) is visited in her improvised shelter at the restored Old Mill by three of the ...
Kuhle Wampe (Brecht and Dudov, 1931)1 is an extraordinary cultural product by the collective that was deeply involved in the formation of Weimar cinema.2 Members of this collective were Slatan Dudov...
James T. Hong’s experimental documentary, The Denazification of MH (2006) is neither an apology for Heidegger’s involvement with National Socialism nor a condemnation of that involvement. Rather, th...

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