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Computer Aided Drawing (vector based) and painting (raster based) packages, allow the mock-up of designs in virtual space. Whilst this is beneficial for visualising the end product, both methods of dr...
This paper proposes that practice-led research, rather than confirming existing assumptions about the relationship of art and its cultural context, is in a position to challenge those assumptions, whi...
This paper discusses a practice-based research that is developing through the pedagogical approach of 'embedding' doctoral students within the context of professional architectural practice. In this p...
Today, artists are becoming increasingly important players in the field of design. Similarly, designers have begun directing their work towards the art world. Certain works of art have come to look li...
The Museum as the context for the 'correct' interpretation of the artefact poses unique problems for the researcher and for the visitor. Every museum has its own particular approach to the curation of...
Art critics in early nineteenth century France were much exercised by context. The author of a guide for art lovers, the Guides des amateurs of 1817, offered detailed guidance through a ‘maze’ of new ...
Interested in what a contemporary practice of paradigmatic analysis might look like, the authors describe their research project aimed at studying past practices as well as conceiving of future possib...
One possibility to provide mobile multimedia in domestic multimedia systems is the use of Universal Plug and Play Audio Visual (UPnP-AV) devices. In a standard UPnP-AV scenario, multimedia content pro...
The increasing amounts of media becoming available in converged digital broadcast and mobile broadband networks will require intelligent interfaces capable of personalizing the selection of content. A...
Beautifying the Earth I asked Walker why the Spirit Dances were held in the Winter. He told me that in the Winter the Earth's reserves are low, so the people must dance to create energy for the Earth...
[1] Christopher Alan Reynolds’s Motives for Allusion has received wide attention from reviewers who often seem to be as anxious to recount their own preoccupations with the topic of musical allusion a...
“Mode versus Ficta”in context     Bent  counterpoint  ficta  Gaffurius  harmony  Josquin  Judd  ode  Obrecht  recta  Tinctoris       2010/4/21
Following my discussion of an extract from Josquin's Ave Maria,{1} Margaret Bent's subsequent Commentary{2} reiterated a criticism originally made by Cristle Collins Judd {3} that my linking of the tw...
Roger Wibberley in MTO 2.5 has criticized a version I published of the sequence from Josquin'sAve Maria, on grounds that it flouts Glarean's modal classification. Cristle Collins Judd has already chal...
John Rothgeb's analysis of the "Tristan chord" engages a large intertextual network, stretching back to the Baroque and centering on recitative. Examples of a specific figure of recitative, usuall...
[1] Did a deconstruction, not destruction (!), of the sign never take place? Is the resurrection of a certain (French) semiology inevitable? Is the tension between a Saussurean-Hjelmslevian-lin...

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