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For the film goer who sits to the front and side of a movie theater, the virtual space "behind"the screen undergoes affine and perspective transformations. These transformations should, one would thin...
The relative consonance/dissonance of 2-tone intervals is well understood both experimentally and theoretically and provides a strong foundation for explaining why diatonic scales or their subsets a...
Cook & Fujisawa (2006) point out that, contrary to the predictions of psychoacoustic models, the diminished triad is more consonant and prevalent in western tonal music than the augmented. A possibl...
In line with musical “common sense” (but contrary to the century-old tradition of musical psychophysics), we show that harmony is an inherently three-tone phenomenon. Previous attempts at explaining...

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