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Norton Dudeque, Music Theory and Analysis in the Writings of Arnold Schoenberg (1874–1951) (2005)。
[1] Michael Cherlin’s new book fulfills two important functions admirably: it pulls together thirty years of research and analysis regarding Schoenberg’s music and writings from all periods of the com...
[1] Ethan Haimo’s recent study of Schoenberg’s music from the years 1899–1909 doesn’t present a tidy survey of the works from that era, but instead presents the reader with a critical thesis concernin...
Newly discovered recordings of Schoenberg conducting Pierrot lunaire open a window into the workshop of Arnold Schoenberg (the conductor) and Erika Stiedry-Wagner (who performed the Sprechstimme). The...
I present synthesized sound examples of several atonal expressionist excerpts to illustrate the effect of the altered octave as a sonority. Psychology, linguistics, and literature about 1900 suggest t...
The present paper constitutes an extension of an earlier article in this journal.(1) Building on the notion of musical worlding introduced in that essay, I explore Schoenberg's turn to atonality i...
Composers used the twelve-tone method in film scores from the 1950's and 60's. This essay, however, focuses on a much earlier work: Schoenberg's *Begleitungsmusik zu einer Lichtspielszene,* Op. ...

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