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Discussion of: \Sequential Quasi-Monte-Carlo Sampling" by Mathieu Gerber and Nicolas Chopin
Mathieu Gerber Nicolas Chopin
2015/8/21
We congratulate Gerber and Chopin for a very interesting paper with much
promise for applications. SQMC is similar to array-RQMC (L'Ecuyer et al.,
2008), in using T sets of N points in [0;1]d
inste...
Tragische Progressionen.Chopin und die Rhetorik des Wohltemperierten Klaviers
Tragische Progressionen Chopin und die Rhetorik Wohltemperierten Klaviers
2015/3/26
Tragische Progressionen.Chopin und die Rhetorik des Wohltemperierten Klaviers.
Kate Chopin’s View on Death and Freedom in The Story of an Hour
Kate Chopin self-awareness death freedom The Story of an Hour
2010/3/5
The Story of an Hour, written by the American woman writer, Kate Chopin (1851-1904) fully shows us the tremendous conflict between life and death among those women who had the more self-awareness, the...
The poetic allusiveness of Chopin’s Préludes, Op. 28 (1839), intrigues and inspires—yet remains remarkably elusive. However, the concept of 'precursive prolongation', founded on the Schenkerian notion...
《Life of Chopin》（图）
Life of Chopin Franz Liszt
2009/7/3
To a people, always prompt in its recognition of genius, and ready to sympathize in the joys and woes of a truly great artist, this work will be one of exceeding interest. It is a short, glowing, and ...
《Frederic Chopin as a Man and Musician, vol 2》（图）
Frederic Chopin as a Man and Musician,vol 2 Frederick Niecks
2009/7/3
Excerpt
ly a courtesy title. The Polish nobility as such was untitled, titles being of foreign origin and not legally recognised. But many Polish noblemen when abroad assume the prefix de or von, or...
《Frederic Chopin as a Man and Musician,vol 1》（图）
Frederic Chopin as a Man and Musician,vol 1 Frederick Niecks
2009/7/3
Excerpt
ood, Karasowski, at least an acquaintance, if not an intimate friend, of the family (from whom he derived much information), Fetis, a contemporary lexicographer, and apparently Chopin's fami...
《Frederic Chopin as a Man and Musician》（图）
Frederic Chopin as a Man and Musician Frederick Niecks
2009/7/3
Excerpt
rse, the moral monster and author of the calamity cannot pretend to be an unbiassed judge in the case; but it seems to him that there may be some exaggeration and perhaps even some misconcep...
《F.Chopin》（图）
F.Chopin Franz Liszt
2009/7/3
Excerpt
'autres, qui témoigne du génie de l'artiste. Son génie se révèle dans le sentiment qui le fait chanter; il se mesure à sa noblesse, il se témoigne définitivement dans une union si adéquate d...
Excerpt
te what Liszt wrote, did not contribute a penny to the youth's musical education, though he always treated him in a sympathetic manner.
Hummel and Paganini visited Warsaw in 1829. The for...
《Chopin and Other Musical Essays》（图）
Chopin and Other Musical Essays Henry Theophilus Finck
2009/7/3
of an idea or two. He himself testified to the "intimate artistic relations" between him and Chopin. Moreover, his praise of Chopin is always pitched in such a high key that it would seem as if praise...
Kate Chopin（图）
At Fault Naturalism Kate Chopin
2009/2/20
Catherine O’Flaherty was born in July 1850 in St. Louis, Missouri to an Irishman who was a prosperous merchant and a French-American mother who adored society and aristocracy (Seyersted 14). Kate was...
Chopin’s Prelude in C Major Revisited: Integrating Sound and Symbol
performance analysis Chopin Prelude intersections digressions
2010/3/25
This article presents comparisons of several recordings and analyses of Chopin’s Prelude in C Major, Op. 28, No. 1. My intent is to demonstrate how including recordings in the analytical process provi...
Like Falling off a Log: Rubato in Chopin's Prelude in A-flat Major (op. 28, no. 17)
Log Chopin's Prelude A-flat Major
2010/3/25
[1] Rubato is widely regarded as a purely intuitive art. While it may be true that most performers rely solely on intuition for their rubato, a conscious approach may also be helpful. For the teacher ...