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Romance, Insularity and Representation: Wong Kar-wai’s In the Mood for Love and Hong Kong Cinema
Hong Kong Hong Kong cinema Wong kar-wai Self-Representation
2009/12/4
Wong Kar-wai’s film In the Mood for Love (2000) is set in Hong Kong in the early 1960s and explores the predicament and reactions of a female character (So Lai-chen) who experiences a personal crisis ...
We Are Fiji: Rugby, Music and the Representation of the Fijian Nation
Fiji sport music nation-making representation national identity
2009/12/4
This article uses the DVD version of Daniel Rae Costello’s song We Are Fiji as a case study in which to explore the sonic and visual construction of Fijian nationhood. It addresses how Fijian national...