搜索结果: 1-13 共查到“电影理论 film”相关记录13条 . 查询时间(0.125 秒)
Perceiving scenes in film and in the world. In J. D
Perceiving scenes film world. In J. D.
2015/8/13
Perceiving scenes in film and in the world. In J. D.
Reaction times exhibit a spectral patterning known as 1/f, and these patterns can be thought of as reflecting time-varying changes in attention. We investigated the shot structure of Hollywood films t...
How Act Structure Sculpts Shot Lengths and Shot Transitions in Hollywood Film
cinemetrics film acts Hollywood film shots transitions
2015/8/13
Cinematic tradition suggests that Hollywood films, like plays, are di-vided into acts. Thompson (1999) streamlined the conception of this large-scale film structure by suggesting that most films are c...
Quicker,faster,darker:Changes in Hollywood film over 75 years
film motion luminance shot lengths
2015/8/13
We measured 160 English-language films released from 1935 to 2010 and found four changes. First, shot lengths have gotten shorter, a trend also reported by others. Second, contem-porary films have mor...
Low-level features in film:What they are and why we would be lost without them
Low-level features film lost without them
2015/8/13
The narrative of a fi lm is oft en cited as the driving force for viewers’ attention to and engagement in a fi lm. Th e narrative is also conceptually the most vivid for fi lm viewers; it is not oft e...
Mapping narrative space in Hollywood film. Projections
Mapping narrative space Hollywood film Projections
2015/8/13
Popular movies are curiosities from the standpoints of perception and human evolution. To be sure, static pictures—particularly photographs—are also curiosities since they flatten, shrink, and photome...
Film through the Human Visual System:Finding Patterns and Limits
Film Human Visual System Finding Patterns Limits
2015/8/13
Over time, filmmakers have changed the way they realize the structure of their films. Film structures have progressively developed to cater to patterns present in human attentional systems.Shot struct...
IN THE NAME OF THE PUBLIC：AN ETHNOGRAPHIC APPROACH TO THE TASTES AND HABITS OF FILM AUDIENCES
Film audience research response studies ethnography cinema-going habits cinema tastes cinema genres
2009/10/19
Until very recently audience research was a neglected area in film studies. Critics tended to take for granted that they could read the minds of the implied spectator(s). However, cultural studies pav...
La Dolce Morte：Vernacular Cinema and the Italian Giallo Film
Vernacular Cinema Italian Giallo Film
2008/12/8
Mikel J. Koven's La Dolce Morte: Vernacular Cinema and the Italian Giallo Film is the first in-depth study of a cycle hugely popular amongst cult and horror fans but largely neglected by the academy. ...
The success of the film Gladiator (Ridley Scott, 2000) resulted in a number of epic films and projects such as Troy, Alexander and the HBO/BBC mini-series Rome (2005). At the same time, there has been...
In Pedro Almod—var, Marvin D'Lugo undertakes the complex task of interpreting and summarizing the work of Spain's most prominent and celebrated contemporary filmmaker. Almod—var's own life is as eccen...
Deleuze and Horror Film
Deleuze Horror Film
2008/12/8
It is often difficult to review a book that has as its goal to supply a new "approach" in a field already bursting at the seams with methodologies, ways of reading, modes of analysis, interpretative s...
Film's Musical Moments
Film Musical Moments
2008/12/8
Film's Musical Moments is a refreshing look at music in film, specifically musical performance within film. Conrich and Tincknell present this collection of essays as an alternative to previous studie...