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Norton Dudeque, Music Theory and Analysis in the Writings of Arnold Schoenberg (1874–1951) (2005)
Norton Dudeque Arnold Schoenberg Music Theory
2009/10/16
Norton Dudeque, Music Theory and Analysis in the Writings of Arnold Schoenberg (1874–1951) (2005)。
Review of Michael Cherlin, Schoenberg’s Musical Imagination
Michael Cherlin Schoenberg’s Musical Imagination
2010/3/24
[1] Michael Cherlin’s new book fulfills two important functions admirably: it pulls together thirty years of research and analysis regarding Schoenberg’s music and writings from all periods of the com...
Review of Ethan Haimo, Schoenberg’s Transformation of Musical Language
Schoenberg pitch-class set theory atonal music
2010/3/24
[1] Ethan Haimo’s recent study of Schoenberg’s music from the years 1899–1909 doesn’t present a tidy survey of the works from that era, but instead presents the reader with a critical thesis concernin...
Photo Paul Kolnik
Music
Piano Quartet No. 1 in G minor, Op. 25 (1861) by Johannes Brahms (orchestrated by Arnold Schoenberg, 1937)
Choreography
George Balanchine ...
Photo Paul Kolnik
Music
Variations for Orchestra, Op. 31 by Arnold Schoenberg, Arranged for Two Pianos by Charles Wourinen
Choreography
Richard Tanner
Premi...
Photo Paul Kolnik
Music
Variations for Orchestra, Op. 31 (1928) by Arnold Schoenberg, arranged for two pianos by Charles Wuorinen
Choreography
Richard Tanner
...
The Test Pressings of Schoenberg Conducting Pierrot lunaire: Sprechstimme Reconsidered
Sprechstimme Schoenberg performance notation recording test pressings Pierrot lunaire analysis singing score recitation pitch contour Stiedry-Wagner Eine blasse Wä scherin interaction reproduction real-time deviation
2010/3/25
Newly discovered recordings of Schoenberg conducting Pierrot lunaire open a window into the workshop of Arnold Schoenberg (the conductor) and Erika Stiedry-Wagner (who performed the Sprechstimme). The...
The Harmonic Function of the Altered Octave in Early Atonal Music of Schoenberg and Webern: Demonstrations Using Auditory Streaming
Schoenberg Webern Saussure Strindberg auditory scene analysis auditory streaming atonality
2010/3/29
I present synthesized sound examples of several atonal expressionist excerpts to illustrate the effect of the altered octave as a sonority. Psychology, linguistics, and literature about 1900 suggest t...
Schoenberg's Turn to an “Other” World
aesthetics atonality Goethe Heidegger musical worlding mysticism Schoenberg Schopenhauer Steiner Swedenborg
2010/4/22
The present paper constitutes an extension of an earlier
article in this journal.(1) Building on the notion of musical
worlding introduced in that essay, I explore Schoenberg's turn to
atonality i...
Schoenberg at the Movies: Dodecaphony and Film（图）
twelve-tone method Opus 34 commutation test Frankenstein cinema
2010/4/22
Composers used the twelve-tone method in film scores
from the 1950's and 60's. This essay, however, focuses on a much
earlier work: Schoenberg's *Begleitungsmusik zu einer
Lichtspielszene,* Op. ...